Best settings for the Jig
The Ceramic Studio Jig works especially well in open-plan studios where several potters share a bench, such as during our Maker residency sessions in Woodstock or at collaborative hubs in the Highveld or Lowveld. It supports a culture of shared making, where everyone can stick to the same standard without fuss. Art schools and ceramic departments also benefit, using the jig to teach consistent sizing from the first class. If you’re running a community pottery programme or a brand collab, consistent outcomes help everyone stay on track and confident.
Objects and finishes that pair nicely
For a cohesive studio look, the jig sits beautifully next to our Veld Tray, which also uses local hardwood and echoes the same hand-oiled finish. The Studio Bench is a natural companion, offering a sturdy flat surface for rolling and shaping. If your studio uses our Maker Mark Brass stamp, the guide's batch stamp and exposed grain complement it well. Opt for the standard natural oil finish for easy maintenance, or request a darkened oil if your space is prone to spills and stains.
- Veld Tray for tool storage
- Studio Bench for extra work surface
- Maker Mark Brass for batch labelling
Jigs that stay open and shared tolerances
Our approach to jigs is influenced by two essays: 'Jigs that stay open' and 'Shared tolerances'. We believe these guides belong to the studio rather than getting locked away. The open DXF file means anyone in your team can adapt or update the design as your forms change. Shared tolerances are practical: they keep production consistent, even when new hands join or clay batches shift. That’s why the Ceramic Studio Jig remains open, adaptable, and built for South African studios with real-life bustle and change.